Shobu (2)

I read Kaoruko Aida ‘Enmeiiryou to Rinshogenba’ (Tokyodaigakushuppankai.)
I refuse life-prolonging treatment.including cardiopulmonary resuscitation and artificial nutrition.

Shobu (1)

I read Shisonokagakukenkyuukai ‘Tenko(Jyo)’ (Heibonsha.)
Ｉt’s the study how the persons be converted.

Satsuki (12)

I read Ryutaro Tsuji ‘Sekainoinboronwoyomitoku’ (Kodansha.)
Let’s try to decipher so called conspiracy in the world.

Satsuki (11)

I read Shinji Kajio ‘Konomuneippainoaiwo’ (Shogakkanbunko.)
It’s is the story in science fiction.

Satsuki (10)

I read Kaoruko Aida ‘Enmeiiryou to Rinshogenba’ (Tokyodaigakushuppankai.)
I refuse life-prolonging treatment.including cardiopulmonary resuscitation and artificial nutrition.

Satsuki (9)

I read Kaitaro Tsuno ‘Denshibon wo Bakanaisurunakare’ (Kokushokankokai.)
I believe that the number of denshibon will exceed that of printing book

Satsuki (8)

I read Shishonokagakukenkyuukai ‘Tenko(Jyo)’ (Heibonsha.)

Ｉt’s the study how the persons be converted.

Satsuki (7)

I read Ryutaro Tsuji ‘Sekainoinboronwoyomitoku’ (KJodanshagendaishinsho.)
Let’s try to decipher so called conspiracy in the world..

Satsuki (6)

I read Shinji Kajio ‘Konomuneippainoaiwo’ (Shogakkanbunko.)
It’s is the story in science fI iction.

Satsuki (5)

I read Shinji Kajio ‘Konomuneippainoaiwo’ (Shogakkanbunko.)
It’s is the story in science fiction.

Satsuki (4)

I read Hika Harada ‘Tokyo Laundering.’（Shueisha.)
It’s not money laundering bur a house or a room laundering.

Satsuki (3)

I read Fuminori Nakamura ‘Nanimokamoyuutsunayoruni’ (Shuueisha.)
Ｉｔ　is the story of melancholies of the detention officer.

Satsuki (2)

I read Yukitaka Kitamura & Isamu Mishima ‘Nipponnogenshiuryokusisetsuzendata’ (BlueBacks.)
We can’t control nuclear power.

Satsuki (1)

I read Hika Harada ‘Tokyo Laundering.’（Shueisha.)
It’s not money laundering bur a house or a room laundering.
Satsuki begins to open.

Mikan

I read Shintaro Ishihara ‘Sonansha’ (Shinchosha.)
It’s the story of a yacht in distress
The mikan tree has many flowers.

Cabocha

I read Jiro Yamaguchi ‘Seikenkotaitowa Nandattanoka’ (Iwanamishinsho.)
It remain unchanged.
The cabocha plant is growing.

Hiradotsutsuji

I read Tatsuya Mori ‘Bokuno Otosannwa Todenshainndesu’ (Gemdaishokan.)
It was compiled version of Mainichi Shougakusei Shinbun.
The hiradotsutsuji is trimmed.

Suika

I read It Ogawa ‘Atsuatsuwomeshiagare’ (Shinchosha.)
The first chapter is the story of grandmother and iceshavings.
The suika plant grows steadily.

Shobu

I read Asuko Taira ‘Shiawaseninacchaoshimai’ (Magazinehouse.)
If you reach the top, then you will be sure go down.
The shobu begins to bloom.

Tulip

I read NHK ETV Tokushushuzaihan ‘Hotspot’ (Kodansha.
It tells way hothe w they could report Fukushima nuclear accident.
The tulip is just before opening..

Naniwaibara

I read Shunji Iwai ‘Bankenwa Niwawomamoru.’
The story is developed in the districts of nuclear power plant.
The naniwaibara blooms one after another.

Goya

I read Masayo Koike ‘Kotobajiru’ (Chuokoronshinsha.)
The first chapter is ‘cray(craw) fish.
The goya has a firm grasp on the bamboo stand.

Ｓｈｉｒａｎ

I read Sara Rose ‘For All the Tea in China’ (Harashobo.)
It’s the story of a English plant hunter for tea in China.
The shiran is going to open.

Ayame

II read ‘Yasuhiro Yostumoto ‘Tanikawashuntarougaku’ (Shichosha.)
Yotsukamoto describes a man of Shuntaro Tanikawa.
The ayame blooms.

Naniwaibara

I read Shuntaro Tanigawa ‘Ichijiteishi’ (Shoshisha.)
Tanigawa is a wise man.
The naniwaibara has a lot of flowers.

Hiradotsutsuji (10-final)

I read Koji Yanagi ‘Kaidan’ (Kobunsha.)
Yanagi wote this story by being inspired by Yagumo Koizumi ‘Ｋaidan.’
This is modern version of Yagumo’s ‘Kaidan.’

Hiradotsutsuji (9)

I read Toshiharu Kubo ‘Kumauchi’ (Shogakkan.)
He describes his life in the woods in Hokkaido.

Hiradotsutsuji (8)

I read Tatsuya Komatsu ‘Eigodehanasu Hint’ (Iwanamishinsho.)
He quotes the saying of a Russian poet, Yevtushenko.
“Translation is like a woman. If it is beautiful, it is not faithful. If it is faithful, it is most certainly not beautiful.

Hiradotsutsuji (7)

I read Mitsuo Aida ‘Okagesan’ (Diamondshoa), ‘Minnahonmono’(Diamondosha.), ‘Anatanimeguriaetehontoniyokatta’ Diamondosha), and ‘Ikiteiteyokatta’(Diamonsosha.)
I intended to refresh myself. But it’s hard to wash my unclean spirits.
But it is the fact that I tried it.
The hiradotsutsuji passes the peak of its beauty.

Hiradotsutsuji (6)

I read Kazue Nakamura ‘Chijyono Meshi’ (Heibonsha.)
I want to eat Idhili.

Hiradotsutsuji (5)

I read Yoko Fujioka ‘Tryout’ (Kobunsha.)
I get drawn in the story.