I read Toshio Shimao & Yoshie Hotta ‘Tsurezuregusa Hojyoki’ (Sekiabunkasha)
The are two great essays.
The kuromoji sprouts.
Monday, February 29, 2016
Sunday, February 28, 2016
Shiromoji
I read Chomei Kamo ‘Hojoki’ (Iwanami)
The flow of the river is incessant, and yet its water is never the same.
The shiromoji sprouts.
The flow of the river is incessant, and yet its water is never the same.
The shiromoji sprouts.
Saturday, February 27, 2016
Ume
I read Oki Ujin Oki ‘Akiyawa 2018nenmadeni Tebanashinasai’ (SB)
Keeping empty house is very costly.
The ume blooms.
Keeping empty house is very costly.
The ume blooms.
Friday, February 26, 2016
Chinchoge
I read Yoshihiro Okada & Keisuke Kamiya ‘Mikanno Mukikata 2’ (Chogakkan)
The rabit is made from the peel of mikan.
The chinchoge blooms.
The rabit is made from the peel of mikan.
The chinchoge blooms.
Thursday, February 25, 2016
Tsubaki
I read Akiyuki Nosaka ‘Honegaitoe Hotokekazura’ (Chuokoron)
Hotokezazura grows on the ground of grave.
The tsubaki blooms.
Hotokezazura grows on the ground of grave.
The tsubaki blooms.
Wednesday, February 24, 2016
Hiiraginanten
I read Akiyuki Nosaka ‘Hotarunohaka’ (Chinchobunko)
There are faifs and strays just after the war.
The hiiraginanten grows.
There are faifs and strays just after the war.
The hiiraginanten grows.
Tuesday, February 23, 2016
Hassaku
I read Jordan Sand ‘Teikoku Nihonno Seikatsukukan’ (Iwanami)
It describes the daily life in imperialistic Japan.
The monkey comes from hassaku skin.
It describes the daily life in imperialistic Japan.
The monkey comes from hassaku skin.
Monday, February 22, 2016
Hiiraginanten
I read Kenji Utsunomiya & Makoto Uasa ‘Hakenmura’ (Iwanami)
Companies lay off temporary workers.
The hiiraginanten blooms.
Companies lay off temporary workers.
The hiiraginanten blooms.
Sunday, February 21, 2016
Tsubaki
i read Dr. Susan Forward ‘Mothers who can’t love’ (Shinchosha)
The mother dominantly interfere with her daughter.
The tsubaki blooms.
The mother dominantly interfere with her daughter.
The tsubaki blooms.
Saturday, February 20, 2016
Friday, February 19, 2016
Suisen
I read Aiko Sato ‘Magoto Watakushino Chisana Rekishi’ (Bungeishinjy)
She uded to make new year’s postcards that was printed herself and her grandson.
The suisen blooms.
She uded to make new year’s postcards that was printed herself and her grandson.
The suisen blooms.
Thursday, February 18, 2016
Ume
I read Kenzaburo Oe ‘Sakebigoe’ (Kodansha)
He became afraid of the infection of syphilis.
The ume blooms.
He became afraid of the infection of syphilis.
The ume blooms.
Wednesday, February 17, 2016
Tuesday, February 16, 2016
Chinchoge
I read Kenzaburo Oe ‘Kabani Kamareru’ (Bungeishinjyu)
The man was an student movement activist.
The chinchoge is arranged in a vase.
The man was an student movement activist.
The chinchoge is arranged in a vase.
Monday, February 15, 2016
Sunday, February 14, 2016
Koke
I read Osamu Tsukasa ‘Oe 60nendaino Seishun’ (Hakusuisha)
He bound Oe’s ‘Sakebigoe’ and ‘Kabanikamareru.’
The moss turns red.
He bound Oe’s ‘Sakebigoe’ and ‘Kabanikamareru.’
The moss turns red.
Saturday, February 13, 2016
Onion
I read Tetsuro Koyama ‘Taiheno Ikiru’ (Sakuhinsha)
Akira Yoshimura’s ‘Hitoritabi’ describes Great Tsunami in 1897 and 1933.
The onion plant grows.
Akira Yoshimura’s ‘Hitoritabi’ describes Great Tsunami in 1897 and 1933.
The onion plant grows.
Friday, February 12, 2016
Chinchoge
I read Daizo Sakurada ‘NORDO’ (Chuokoronshinsha)
U.S. and Canda are the members of NORDO.
The chinchoge blooms.
U.S. and Canda are the members of NORDO.
The chinchoge blooms.
Thursday, February 11, 2016
Hroshima City
I reaed Rita Wataya ‘Wali-in Closet’ (Kodansha)
Favorite clothes are unlimited in umber.
Hiroshima city can be seen from the top of Mt. Furutaka, Etajima Is.(Feb.10.)
Favorite clothes are unlimited in umber.
Hiroshima city can be seen from the top of Mt. Furutaka, Etajima Is.(Feb.10.)
Wednesday, February 10, 2016
Mt. Furutaka
I read Jeremy Rifkin ‘The Zero Maginal Cost Society’ (NHK)
It’s the fatal crisis of capitalism.
Go climbing Mt. Furutaka, Etajima Is.
It’s the fatal crisis of capitalism.
Go climbing Mt. Furutaka, Etajima Is.
Tuesday, February 9, 2016
Ume
I read Hideo Okuda ‘Wagayano Himitsu’ (Shueisha)
A pianist, Fumio Onishi goes to dentist.
The ume blooms.
A pianist, Fumio Onishi goes to dentist.
The ume blooms.
Monday, February 8, 2016
Tsubaki
I read Akito Inui ‘Haiyu Kameoka tkuji’ (bungeishinjyu)
Kameoka tried to wear a diaper.
The tsubaki blooms.
Kameoka tried to wear a diaper.
The tsubaki blooms.
Sunday, February 7, 2016
Hakubai
I read Ben S. Bernanke ‘The Courage To Act’ (Kadokawa)
Prisident Bush left the handling of financial crisis in his capable hands.
The hakubai blooms.
Prisident Bush left the handling of financial crisis in his capable hands.
The hakubai blooms.
Saturday, February 6, 2016
Saru
I read Michio Ishikawa ‘Onsen no Heiwa to Senso’ (Sairyusha)
The is a spot of Ayle.
There is a carving of monkey on the board.
The is a spot of Ayle.
There is a carving of monkey on the board.
Friday, February 5, 2016
Hiroshima Castle
I read Ryoichi Wago ‘Shi no Terakoya’ (Iwanamijunior)
You can write a poem by your own way.
Hiroshinma Castle can be seen from Mt.Mitarte.
You can write a poem by your own way.
Hiroshinma Castle can be seen from Mt.Mitarte.
Thursday, February 4, 2016
Hakubai
I read Gudrun Pausewang ‘Der Einhandige Brieftrager’ (Msuzushobo)
He lost his left hand at the war and was working as a mail person.
The hakubai blooms.
He lost his left hand at the war and was working as a mail person.
The hakubai blooms.
Wednesday, February 3, 2016
Boke
I read Kirmen Uribe ‘Mussche’ (Hkusuisha)
The daughter follows her father’s footrsteps
The boke blooms.
The daughter follows her father’s footrsteps
The boke blooms.
Tuesday, February 2, 2016
Ume
Yolshiki Shuto ‘Doyono Jidai’ (Iwanami)
Children's song genre in Japan is made inflationary by the magazine, ‘Akaitori.’
The ume blooms.
Children's song genre in Japan is made inflationary by the magazine, ‘Akaitori.’
The ume blooms.
Monday, February 1, 2016
Tsubaki
I read Karl Raustiala/ Christpher Strigman ‘The Knockoff Economy’ (Misuzu)
Copy and inovation can exist side-by-side.
The tsubaki is arranged in the vase.
Copy and inovation can exist side-by-side.
The tsubaki is arranged in the vase.
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